Jason Nelson ist Verfasser digitaler Gedichte und Erz?hlungen, surrealistischer und politisch orientierter Kunstspiele sowie digitaler Kreaturen.
Er ermutigt seine Studierenden, Kreativit?t mit allen verfügbaren Technologien zu entfalten, zu erproben und zu transformieren. Seine Werke wurden weltweit in Galerien und auf Festivals ausgestellt, darunter FILE, ACM, LEA, ISEA, SIGGRAPH und ELO, sowie in zahlreichen weiteren internationalen Publikationen. Nelson ist Mitglied renommierter Gremien wie dem Australia Council Literature Board und der Electronic Literature Organization. Er erhielt bedeutende Stipendien, darunter das Fulbright-Stipendium an der Universit?t Bergen und das Moore-Stipendium an der National University of Ireland, sowie weitere internationale Auszeichnungen. Im digitalen Raum, dem zentralen Wirkungsfeld seines Schaffens, z?hlt für ihn vor allem eines: die Millionen Besucherinnen und Besucher, die j?hrlich sein Kunst- und Digitalpoesie-Portal http://www.secrettechnology.com (externer Link, ?ffnet neues Fenster) erkunden.
E-Mail: dimas@uni-regensburg.de
Telefon: +49 941 943-5966 (Sekretariat)
Publikationen
(Auswahl)
2020: “The False Unlimited”, ICIDS 2020 Bournemouth, Digital Writing Exhibition the 13th International Conference on Interactive Digital Storytelling, UK.
2020: “Poetic Playthings: poetry, interface and video game engines”, Book Chapter, Electronic Literature as Digital Humanities, Bloomsbury.
2019: “Acesulfame K”, published/exhibited: Dyscorpia: Future Intersections of the Body and Technology Exhibition, University of Alberta, Canada; New River Journal of Digital Writing and Art, Virginia Tech University; Runner-Up Prize, Videomedeja digital art exhibition, Serbia; Finalist, Turn-on Literature Prize, Denmark and Norway.
2018: “The Wonders of Lost Trajectories”, Digital Writing Research and Exhibit, Queensland State Archives, Brisbane; Finalist, Queensland Literary Awards, Digital Writing Category; Finalist, New Media Writing Prize, IF:Book and Bournemouth University.
2017: “Nine Billion Branches”, HyperRhiz, New Media Cultures, North Carolina State University; Winner, Digital Writing Prize, Queensland Literary Awards, Brisbane (15,000AUD); Winner, Woollahra Library Digital Poetry Prize (5,000AUD), Sydney, Australia; Finalist, New Media Writing Prize, IF:Book and Bournemouth.
2016: “Cube Cryptext and Nomencluster”, Cube Space, Queensland University of Technology, Australia Council of the Arts, Literature Board grant recipient (125,000AUD). This highly regarded work is regarded as the world’s largest interactive art-game, reviewed in Engadget, The Australian, Brisbane Times, Engage Arts, Arts Hub, The Writing Platform and others.
2015: “The Bafflement Fires”, New Binary Press, Ireland, Cork University; Turn-On Literature Prize Touring Exhibition, Denmark, Norway, Romania; reviewed on Boing Boing and discussed by the Author Neil Gaiman.
2013: “Digital music and media creativities”, Book Chapter, “Developing Creatives in Higher Music Education: International perspectives and practices”, edited by Burnard, Pamela, Routledge, UK.
2013/14: “Nothing You Have Done Deserves Such Praise”, Turbulence New Media, Commission, New York City, New York; National Library of France, Paris; widely reviewed in academic and popular press, including Language and the Interface, SetSubSet, SuperNaut, Destrutoid, The Guardian, Huffington Post and others.
2011: “Sydney’s Siberia” Electronic Language International Festival exhibition, Sao Paulo, Brazil; Newcastle Lock-Up Literary Grant; re-published as Messages for our Future, Digital Poem on the tsunami. Collaboration with the Media Response Team, Tohoku, Japan Foundation; re-published as Flood Mosaic Artwork, Floodlines Exhibition, State Library of Queensland, funded by a 12,000 AUD Grant (75,000NOK).